The Aztec Lady

The Aztec Lady is a stage illusion designed by British magician Robert Harbin. It is a classic "big box" illusion that involves an assistant in a cabinet and is probably best categorised as a restoration-type illusion.

The performance begins with the magician being joined by a spectator (who might be an audience member or the host of a show of which this illusion is a part). A large upright cabinet is presented. It is just large enough to contain a person and has a stylised sillouette of a woman on the front.

Assistant's Revenge

Assistant's Revenge

The Assistant's Revenge is a transposition illusion in which two performers change places. It was created by magician and inventor Robert Harbin.

One of the two performers, the restrainee, is placed in a standing position in a large frame and restrained there with various straps, manacles, chains and locks. The second performer, the restrainer, circles the frame, drawing a curtain first across the front, and then around one side and the back. Almost as soon as the restrainer disappears behind the frame, the restrainee appears from the other side of the apparatus, drawing back the curtain as he or she comes. This reveals the restrainer now restrained in the frame; the two seem to have changed places by magic.

Asrah levitation

The Asrah levitation is an illusion effect whereby the magician hypnotizes an assistant and commands them to recline on a table or couch. The assistant is then fully covered with a cloth and levitated under the cloth. The form of the assistant is still visible while levitating. Moments later, the assistant slowly floats down. As the magician pulls off the cloth, the assistant vanishes instantly. This Illusion is credited to Servais Le Roy and was first performed in 1902.

Magic (paranormal)

"Magia" . For other uses of "magic" or "magical",


"Circe Offering the Cup to Ulysses" by John William Waterhouse
Magic or sorcery is an attempt to understand, experience and influence the world using rituals, symbols, actions, gestures and language.Modern Western magicians generally state magic's primary purpose to be personal spiritual growth. Modern theories of magic may see it as the result of a universal sympathy where some act can produce a result somewhere else, or as a collaboration with spirits who cause the effect.